1 Cup, an English style (clear and carbonated) lemonade, like Sprite or 7 Up, lemon or lime juice, as well as various chopped garnishes like apple, cucumber, orange, lemon, strawberry and mint or borage, though mint is more common. At one point, Pimm, one of his employees, or one of his successors created the first Pimm’s liqueur, designed to be mixed with lemonade, and which was trademarked and commercially released in 1912.Ī summer long drink, the Pimm’s Cup is made with Pimm’s No. Morey in 1856 it changed hands several times afterward. Pimm received his first liquor license in 1851, and leased or sold the bar to S. The base liqueur of a Pimm’s Cup, Pimm’s, was created sometime after 1823, when James Pimm opened an oyster bar and began serving spirit based punches and cups. A Pimm’s mojito substitutes lemon and lime soda with muddled limes and soda water. A Glasgow Garden Party is a drink made with Pimm’s substituting lemonade with Irn Bru excluding any fruit garnish. Pimm’s can also be mixed with Champagne (or other sparkling white wines), resulting in a drink known as a “Pimm’s Royal Cup.” Pimm’s Winter Cup is generally mixed with warm apple juice. I followed their lead and added a bit of letter spacing to battle the picket-fence-effect that Compressed fonts get when the space outside the letters is equal to the space within them.Ī description in the 1953 Raymond Chandler novel The Long Goodbye stated that “a real gimlet is half gin and half Rose’s lime juice and nothing else.” I didn’t necessarily feel the need to explore the illegible extremes of something like Barcode (after all, Fit has been there, done that), but as I was looking at uses of Permanent Headline and Compacta I wondered if Nickel Gothic could be a flat-top alternative to those as well. I said in my April mailing that each letter of Nickel Gothic should land with a resounding thud, and a big part of that has to do with the exaggerated flatness of “round” shapes like O. But for whatever reason, Nickel Gothic feels easier. It’s one of the reasons I’ve hesitated to update Bild even though I know I should…I’m still trying to find the thing that makes Bild special. The Condensed Sans genre is a crowded one. Nickel Gothic gets its extra strength and heft from the corners of the letter, thanks to the tension between the flat tops and bottoms of the exterior shapes and the rounded tops and bottoms of the counterforms. And like with Fern, I’ve been reticent to make the family more than it needs to be. Its source material dates back to 1790, a time when fonts didn’t come with their own Bold variants. Warbler’s attempts to channel the last gasps of pre-Industrial typographic style in Britain, before advertising and mass-market ephemera transformed the design landscape. They turn up the volume on a typeface and amplify its features-a caricature of the Roman whose entire purpose is to stick out. Bolds, on the other hand, tend to be brash. A Bold certainly comes in handy!īut here’s the problem: As I discussed in previous mailings, what I appreciate most about Warbler-and the types William Martin cut for William Bulmer before it-is its quiet, delicate touch, and the quiet, delicate And in turn, more complex typography calls for more complex type families. Roman, Italic, and Small Caps might be enough to typeset a traditional start-to-finish book,īut a more complex document calls for more complex typography to guide the reader through it. Since I released Warbler Text in February, I’ve received more requests for Warbler Text Bold than for anything else.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |